In this landmark dictionary, Roy Armes details the scope and diversity of filmmaking across the Arab Middle East. Listing more than feature films by more than filmmakers, and short and documentary films by another filmmakers, this volume covers the film production in Iraq, Jordan, Lebanon, Palestine, Syria, and the Gulf States. An introduction by Armes locates film and filmmaking traditions in the region from early efforts in the silent era to state-funded productions by isolated filmmakers and politically engaged documentarians. Part 1 lists biographical information about the filmmakers and their feature films.
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Bonne visite! The latest episodes of the Israeli-Palestinian conflict bring further evidence that this conflict cannot be understood solely in political terms. In this paper, we review a significant set of psychological scientific articles that specifically examine this conflict, and we argue that such psychological insights may renew perspectives towards its understanding and, perhaps, resolution. After having set the issue in our introduction, we proceed in three steps, which correspond to the three kinds of insights that we argue could be gained from psychology. First, we consider the perceptions of the conflict by its actors.
Le regard de Osman
Purement technique. Elle aurait aussi pu le dire de Carole Roussopoulos. Le film montre des images de la Marche et des lieux de rassemblement.
Resistance is the Palestinian response to the tragedy known as the Nakbah, when in , statehood was lost to Israeli occupation. Scattered by war and its negative effects, the majority of Palestinians are refugees or exiles bound together by the trauma of their history. Thus, tragedy and resistance permeate Palestinian national life and are the primary subject matter of Palestinian art. In the years leading up to and including the first Intifada, Palestinian art was primarily an art of liberation growing with the groundswell for freedom.